| 翻訳と辞書 |
| The Ghost in Science ： ウィキペディア英語版 |
The Ghost in Science
}}
is Susumu Hirasawa's second album. It is the second part of a trilogy, with ''Water in Time and Space'' being the first part and ''Virtual Rabbit'' being the third, that explores reality, religion, science and dreams.
==Overview==
A month after the release of ''Water in Time and Space'', Hirasawa signed with management company , which also managed Jun Togawa and Kazutoki Umezu. Octave, the company that Hirasawa created in 1979 to self-manage P-Model and others, was reduced to the music publisher "Pre-Octave". From then until Hirasawa's departure from the company, every single release of his credits an I3 Promotion employee, on most occasions , as "executive producer" (although the producer didn't work on actual production itself), who was often present during the recordings (Hirasawa would occasionally use Kenjo when a song needed a large choral backing). The recording sessions were filmed, and an advertisement (intercutting various clips of the recording session) aired on TV.
''The Ghost in Science'' goes in the same style as its previous and following albums (mix and experimentation of various different music styles), although it has a more whimsical feel than the others. The album is marked by a futuristic thematic, and glimpses seemingly contradictory concepts; Hirasawa accompanied the overall concept by making the album with a more electronic sound than the others of the trilogy, he also reduced the guest participation which, while having more guest personnel on the album, they are mostly present in large ensembles and have reduced roles. Most of the album's songs are in the fast-paced, rapid-fire style similar to the style of P-MODEL. Through this, Hirasawa painted an image of himself as a mad scientist.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「The Ghost in Science」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|